with Erica Hart and Pablo Fierro
Fabulously wealthy, wine cellar owning child psychologist Malcolm Crowe (Bruce Willis) endures the case of his afterlife when he meets Cole Sear (Haley Joel Osment), a boy living with schizophrenia. Join Pablo and Erica as they perform an autopsy on M. Night Shyamalan’s magnum opus.
Credits: “Escape on a Flatbed”
Exzel Music Publishing (www.freemusicpublicdomain.com)
Licensed under Creative Commons: By Attribution 3.0
creativecommons.org/licenses/by/3.0/
Journey with us to the 80s as a team of 20 year-old 40 year-olds band together to take on the mutant embodiment of Old Testament wrath in X-men 6: Apocalypse. Featuring a plot filled with origins, this punktastic take on a 90s comic-arc sees Bryan Singer’s attempt to rewrite X-men continuity post First Class and Days of Future Past to middling returns, in a film that isn’t nearly as reverent to X-men canon as was Deadpool 2. This episode we are joined by my brother, Juan. X-men? Oh, he knows X-men.
Credits: “Escape on a Flatbed”
Exzel Music Publishing (www.freemusicpublicdomain.com)
Licensed under Creative Commons: By Attribution 3.0
creativecommons.org/licenses/by/3.0/
Join Pablo, Erica, and our guest, Joe, as we travel through the stars for a discussion of Valerian and the City of a Thousand Planets, an excessively French film that should have starred Rihanna, but instead stars two adult children. The most expensive independent movie of all time, Valerian comes ripped off from the same comic as was Star Wars, though neither film accurately depicts the source material. Directed, written, and produced by Luc Besson (The Fifth Element, Taken 1, 2, and 3, etc.), this movie is a barrage of colors, LED lights, and plot holes, and can stand up to any U.S.-made, style-over-substance action film.
Credits: “Escape on a Flatbed”
Exzel Music Publishing (www.freemusicpublicdomain.com)
Licensed under Creative Commons: By Attribution 3.0
creativecommons.org/licenses/by/3.0/
https://soundcloud.com/cinamazingchats/ep-16-valerian-the-city-of-a-thousand-planets
In Part III of our Oscar series, we discuss Get Out, Three Billboards Outside Ebbing Missouri, and The Shape of Water. We also rank all the nominations, get into our picks for Oscar snubs, and discuss who we thought would actually have won(The Oscar should have gone to Birdman).
Credits:
Music: “Jazzy” (freemusicarchive.org/music/Dee_Yan-…_Yan-Key-Jazzy) by Dee Yan-Key (freemusicarchive.org/music/Dee_Yan-Key/)
From the Free Music Archive (www.freemusicarchive.org/)
CC BY NC SA (creativecommons.org/licenses/by-nc-sa/4.0/)
In part two of our 3-part series, we go back to Dunkirk, and weigh the relative pros / cons of the glamorous romances found in Call Me by Your Name and the gothic Phantom Thread.
Credits:
Music: “Jazzy” (freemusicarchive.org/music/Dee_Yan-…_Yan-Key-Jazzy) by Dee Yan-Key (freemusicarchive.org/music/Dee_Yan-Key/)
From the Free Music Archive (www.freemusicarchive.org/)
CC BY NC SA (creativecommons.org/licenses/by-nc-sa/4.0/)
https://soundcloud.com/cinamazingchats/ep-151-oscars-begins-there-and-back-again
It’s part one in a three-part series, in which we discuss all of the films nominated for Best Picture at the stuffy, overly formal Academy Awards to save you from having to bore your own pants off. Pablo takes on the persona of Paula Abdul as Erica goes full Simon Cowell to chat about a great deal of melodramatic period pieces. This episode contains Lady Bird, The Post, and Darkest Hour.
Credits:
Music: “Jazzy” (freemusicarchive.org/music/Dee_Yan-…_Yan-Key-Jazzy) by Dee Yan-Key (freemusicarchive.org/music/Dee_Yan-Key/)
From the Free Music Archive (www.freemusicarchive.org/)
CC BY NC SA (creativecommons.org/licenses/by-nc-sa/4.0/)
It’s Ryan Reynolds in his pre-Deadpool, unsuccessful comic book movie phase and Jeff Bridges doing his very best Yosemite Sam impression in a movie that can be best compared to Howard the Duck as equal parts lazily derivative as it is bat-shit insane, in 2013’s RIPD.
Credits:
“Escape on a Flatbed”
Exzel Music Publishing (www.freemusicpublicdomain.com)
Licensed under Creative Commons: By Attribution 3.0
creativecommons.org/licenses/by/3.0/
Join us as we discuss The Disaster Artist: The official adaptation of the book based on a movie based on a stageplay. Also with us is Deric Brown of the podcast Upgrade/Downgrade on Sticher, itunes.apple.com/us/podcast/id1309296699, and play.google.com/music/m/Is7dqyykl…h_Marla_And_Deric.
Credits:
“Escape on a Flatbed”
Exzel Music Publishing (www.freemusicpublicdomain.com)
Licensed under Creative Commons: By Attribution 3.0
creativecommons.org/licenses/by/3.0/
https://soundcloud.com/cinamazingchats/ep-12-speed-2
It’s a low-intensity, high-stakes Lolita homage disguised as a disaster film in a sequel that even Keanu Reeves knew to skip, in Speed 2, a film that safely plays by the rules and doesn’t take any unnecessary chances! Thrill as Willem Dafoe tries again and again to mildly annoy human charisma-suck Jason Patric, including the slowest jetski chase ever filmed, the punniest harbor-crashing sequence, a man breaking not one but two arms, and a vacationing Sandra Bullock as herself.
Credits:
“Escape on a Flatbed”
Exzel Music Publishing (www.freemusicpublicdomain.com)
Licensed under Creative Commons: By Attribution 3.0
creativecommons.org/licenses/by/3.0/
https://soundcloud.com/cinamazingchats/ep-11-et-the-extraterrestrial
Join us for a festive Halloween as we discuss the spine-tingling tale of a young alien kidnapped by human children and forced to endure Americana until he can cobble together a phonecall to his home planet and ask them to blow up earth post-haste. Also features a vividly lifelike Drew Barrymore animatronic.
Credits:
“Escape on a Flatbed”
Exzel Music Publishing (www.freemusicpublicdomain.com)
Licensed under Creative Commons: By Attribution 3.0
creativecommons.org/licenses/by/3.0/